Part of Behind the Blueprints series of interviews with architects and urban influencers.
“The reason we love cities is for their complexity, for the collision of different values and different things, that organic quality,” Chipperfield said at a Doha Architecture Forum talk at the Museum of Islamic Art in mid-June. “How do we learn from the historic and organic city?” Msheireb, he said, “is a real step in planning areas of the city here, it’s a very optimistic development direction.”
“We confuse public space for retail space, which (public space) isn’t all to do with eating or shopping,” he told the packed auditorium. “I’m not saying we shouldn’t have retail space or luxury housing, but how do we make sure the city is rich in diversity in ways that are real, not monolithic?”
Chipperfield’s career has been largely outside of his native England. He’s in Doha to work with Qatar Foundation on the Al Shaqab Hotel, previously collaborating on a museum-like space in the ancient ruins of Naqa/Naga’a, Sudan.
Chipperfield studied architecture at Kingston University’s Art School, and trained under Modern architects Norman Foster and Richard Rogers, who changed the “gentlemanly” and isolated profession, he said. But with work hard to find at home, Chipperfield wound up overseas designing shops in Japan.
“Given our contemporary condition that we are inevitably globalised, what’s important is that it forces you to think what you could do in that place, the possibilities and context of what that place could be,” Chipperfield said on working abroad. “I wasn’t an established architect with a certain style, I had to work out what was appropriate and what might be a clue or a way in from the physical or social context that might start that process.
“It’s always been in someone else’s city, and you have to be a bit sensitive that you’re playing with someone else’s place.” He added: “As an outsider, you can identify qualities that others can’t see, and concentrate that experience.”
Chipperfield’s also acclaimed for Turner Contemporary, his first public building in England. Located in Margate, it pairs historical work of landscape artist JMW Turner with contemporary artists.
“[Turner] said: ‘These are the most beautiful skies in all of Europe,’” Chipperfield beamed. “The light comes off the water, and the galleries get their light from the north. The idea is to make these rooms like small studios, as if the artist had just gone out to lunch.”
“We have to find ways to find a bridge between the viewer, experiencer and architecture, and that can’t just be a sort of amazement,” Chipperfield said. “It’s a difficult one, especially at a large scale, in a place like Doha where we can be tempted into being a bit too literal. The use of recogniseable forms like silhouette and shapes, the visceral quality of materials, are ways by which we might befriend occupants.” -30-